Liu Cheng Hua obtained his Master Degree in Art Education from Sultan Idris University of Education (UPSI). Liu was invited to ASEAN Art Management Series in the Creative Industry in Manila, Philippines in 2010 and ASEAN Youth Art Camp, Singapore in 2014. Liu, the Finalist of Japan 10th Oita Asian Art Competition in 2012 and he was also invited to the Indonesian 4th East Java Biennale (JATIM Biennale) in 2011 and “Young Art Global”, Museum of Young Art (MOYA), Vienna in 2013. Besides lecturing, Liu among other Southeast Asian contemporary artists to exhibit at “Secret Archipelago”, Palais de Tokyo Museum, Paris which brought over under National Heritage Board of Singapore in 2015. Throughout his career, Liu has produce artworks for exhibition in Malaysia and abroad and won several awards and recognitions. He exhibited his artworks in France, Monaco, Japan, Indonesia, Philippines, Singapore, Mauritius, Italy and United Kingdom. His artwork was collected by the National Art Gallery of Malaysia, Consulate General of Malaysia in Hong Kong, Galeri Seni Johor, Toh Puan Mahani Idris, Tan Sri Tony Fernandes, Tan Sri Robert Kuok, Ambassador Dato’ N. Parameswaran, Bingley Sim, Prof. Dr. Krishna Gopal Rampal, Datuk Lim Edin Nom, U-Wei Hj Shaari, Dato’ Ramli Md Nor, Tze Lee, Mee Lin, Caroline Liew and private. Liu currently is the Head of Fine Art Department, Malaysian Institute of Art.
REWARDS
NATIONAL LEVEL EXHIBITION
INTERNATIONAL LEVEL EXHIBITION
CURATORIAL
WORKSHOP/ SEMINAR
ART COMPETITION JURY
Golden Shaft (2017)
Bamboo, gold leaf, galvanize steel, clamps, wire
After concentration in a series of La Root is more synonymous with the mining of tin, I’ve started a new series of Raub which widely known in gold mining activities in 2016. Raub is a district and town in the state of Pahang, Malaysia. Gold mining started in 1889 by William Bibby under the Raub Australian Gold Mine (RAGM). Malay word “raub” means “scoop” which according to J.A. Richardson in his book, The Geology and Mineral Resourses of the Neighbourhood of Raub, Pahang, page 36, “People found that for every “dulang” (tray) of sand there was a handful (raub) of gold”. As a result, Raub became very famous in early of 20th century for its mining resource (gold) in Malaysia. In the piece “Golden Shaft” (installation is one of the major work in this series. The bamboo shafts shows the abstraction form of the shaft as the symbolic of “shaft mining technique” that used for gold mining in Raub. Basically, the whole installation is like the mining machine and the representation of digging out the natural resource from our country to overseas. In the other side, the bamboo that I used itself were growth originally in Raub.
Getaran Jiwa, Jeritan Batinku dan Semarak Hati (2016)
Karya ini diinspirasikan dari lagu-lagu Allahyarham P. Ramlee. Setiap tajuk pada karya-karya menpunyai mesej yang tersendiri dan universal oleh setiap masyarakat iaitu “Getaran Jiwa”, Jeritan Batinku dan Semarak Hati. Intipatinya begitu unik dan menjurus kepada ekspresi atau naluri cinta dan kasih sayang. Garfu dan saxophone yang digunakan di dalam siri karya ini merupakan idea di dalam filem “Ibu Mertuaku” yang mana klimaks dalam cerita ini, P.Ramlee terpaksa menggunakan sepasang garfu untuk cucuk mata beliau supaya menjadi buta. Perlambangan setiap karya dengan garfu adalah metafora yang berulangan serta berirama sedangkan garfu itu bersifat tajam dan agresif. Di dalam konteks ini, saya ingin mengaitkannya dengan situasi politik dan kerajaan buat masa ini di mana rakyat dalam menjalani kehidupan biasa sering kali memekik-mekik dan memanggil-manggil kerna sesuatu tekanan dari pihak tertentu yang bersifat agresif dan tajam sehingga menghasilkan rentak dan pergerakkan pola akan tetapi rakyat masih utuh.
Please contact us if you like to know more about artist collaborate products.
Copyright © 2021 AATO ROOM. All rights reserved.